“If I didn’t have puke breath, I’d kiss you.”
Strange Brew, 1983 (Rick Moranis, Dave Thomas), MGM/UA
We start on the big silver screen with a belching MGM lion, and that pretty much sets the tone for the motion picture debut of beer-drinking hosers Bob and Doug McKenzie (Dave Thomas, Rick Moranis); ostensibly a set-up for their movie-within-a-movie, Mutants of 2051 A.D., a hilarious no-budget sci-fi exercise that references Planet Of The Apes and The Omega Man. The crowd watching the movie grows restless and walks out demanding refunds. Moved by a distraught father’s story, Bob gives the man his Dad’s beer money.
Dad (voiced by Mel Blanc) demands beer. They try to scam their way into a free 24-pack of Elsinore with the old mouse-in-a-bottle trick, but they’re referred to the brewery. At the gated, electrified entrance, they rescue Pam Elsinore (the fetching Lynne Griffin) when the gates close on her car. Pam is there to receive compensation for the suspicious death of her father, John Elsinore, the former brewmaster. Bob and Doug fall backward into jobs at the brewery, checking bottles for mice.
Brewmeister Smith (a fantastic Max Von Sydow) is making a mind-altering drug, which he will use to control the population of Elsinore beer drinkers with violent impulses. After viewing “improvements” made by Smith (surveillance cameras, an empty cafeteria, and lack of employees), Pam gives him two weeks notice to pack up. Brewmeister Smith orders Pam’s Uncle Claude (toadie Paul Dooley) to kill her, or at least incapacitate her. Smith is using inmates from a nearby sanitarium to test his concoction, with orchestrated games of hockey, and it’s up to Bob and Doug to save the day.
This is such a fun movie! After all these years, the material (originally a series of sketches for SCTV) holds up and is given the appropriate celluloid treatment. The characters break the fourth wall. There’s even a brief intermission. One of my favorite gags occurs right after the intermission. After Bob and Doug’s van plummets into the river and they are presumed dead, scuba divers are amazed to find them just fine underwater, drinking bottles of beer. When the diver flashes his badge, Doug reaches into his pocket and produces his driver’s license – all of this underwater!
Bob and Doug are framed for the attempted kidnapping of Pam. They are remanded to the sanitarium after being diagnosed as paranoid schizophrenics by the Court. With the help of retired hockey star Jean LeRose and the electronic “ghost” of Pam’s deceased father (not to mention Bob and Doug’s superhero dog, Hosehead), they rescue Pam and foil Brewmeister Smith’s plan to sabotage the upcoming Oktoberfest.
As directed by Moranis and Thomas, the scenes effortlessly transition, and the narrative is fast-paced. This is serious filmmaking, for a completely ridiculous story. A great deal of the dialogue feels largely improvised. While a sequel was planned (and eventually abandoned) for release in 1999, Moranis and Thomas never directed again, and that is unfortunate because they are gifted comedians, actors, and storytellers. A year or so after the release of Strange Brew, they would famously appear in Pizza Hut commercials.
Our first cable box was a non-descript metal contraption with a rotary dial and unlimited potential (with no brand name – weird). We flipped it on, and the first thing we noticed was that the reception was crystal-clear; no ghosting, no snow, no fuzzy images. We had the premium package: HBO, Cinemax, The Movie Channel, MTV, Nickelodeon, CNN, The Disney Channel, and the local network affiliates. About $25-$30 a month. Each week (and sometimes twice a week!), “Vintage Cable Box” explores the wonderful world of premium Cable TV of the early eighties.